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Table of Contents

• Master Thesis
  • Title Page
  • Table of Contents
  • 1  Introduction
    • 1.1  Preliminary Remarks
    • 1.2  Biography
    • 1.3  Accessibility
  • 2  Artistic Work
    • 2.1  From Abstraction to Form
      • 2.1.1  Abstract Picture of the School and Surroundings
      • 2.1.2  Alexander Technique
      • 2.1.3  Painting on Plastic
      • 2.1.4  Learning to Copy Through Memory of the Body
      • 2.1.5  Frida Kahlo My Inspiration
      • 2.1.6  Picasso
      • 2.1.7  Writing
      • 2.1.8  Painting on Water and Body Tracing
      • 2.1.9  Ideas for the future
      • 2.1.10  Bibliography
    • 2.2  Let the Games Begin
      • 2.2.1  First Steps
      • 2.2.2  Dolphins
      • 2.2.3  The Garden of Flowers
      • 2.2.4  Burn out
      • 2.2.5  Wild Woman
      • 2.2.6  Man
      • 2.2.7  Colors of the Rainbow
      • 2.2.8  Monkey Man
      • 2.2.9  King of the Jungle
      • 2.2.10  Foreign Elements in the Hall of Art
      • 2.2.11  Tools of Art
  • 3  Art Education Projects
    • 3.1  Self-Image: How far can one go
      • 3.1.1  Factsheet
      • 3.1.2  Video
    • 3.2  Make the Set Design of Your Life
      • 3.2.1  Factsheet
      • 3.2.2  Introduction
      • 3.2.3  Start of the Process
      • 3.2.4  Creating Your Own Set Design on Stage
      • 3.2.5  Photos of the Students
      • 3.2.6  Make the Set Design of your Life
      • 3.2.7  A Tribute to Luis
      • 3.2.8  Luis' Presentation
      • 3.2.9  Teaching People at Danza Mobile
      • 3.2.10  Vision for the Future
      • 3.2.11  Bibliography
    • 3.3  The Sea is Inspiration
      • 3.3.1  Factsheet
      • 3.3.2  Video
  • 4  Theoretical Work
    • 4.1  Drawing According to the Methods of Henri Matisse
      • 4.1.1  The Creation of a Sign Born Out of One Line
      • 4.1.2  Process Versus Result
      • 4.1.3  Interview
      • 4.1.4  Explanation of Terms
  • 5  Future
  • 6  Bibliography
• Auxiliary Pages
  • Aktuell
  • Appendix 1: Interview at Beyeler Museum
  • Imprint
  • Printout of Website

Table of Contents

Table of Contents

• Title Page
• Table of Contents
• ▷1  Introduction
  • 1.1  Preliminary Remarks
  • 1.2  Biography
  • 1.3  Accessibility
• ▷2  Artistic Work
  • ▷2.1  From Abstraction to Form
    • 2.1.1  Abstract Picture of the School and Surroundings
    • 2.1.2  Alexander Technique
    • 2.1.3  Painting on Plastic
    • 2.1.4  Learning to Copy Through Memory of the Body
    • 2.1.5  Frida Kahlo My Inspiration
    • 2.1.6  Picasso
    • 2.1.7  Writing
    • 2.1.8  Painting on Water and Body Tracing
    • 2.1.9  Ideas for the future
    • 2.1.10  Bibliography
  • ▷2.2  Let the Games Begin
    • 2.2.1  First Steps
    • 2.2.2  Dolphins
    • 2.2.3  The Garden of Flowers
    • 2.2.4  Burn out
    • 2.2.5  Wild Woman
    • 2.2.6  Man
    • 2.2.7  Colors of the Rainbow
    • 2.2.8  Monkey Man
    • 2.2.9  King of the Jungle
    • 2.2.10  Foreign Elements in the Hall of Art
    • 2.2.11  Tools of Art
• ▷3  Art Education Projects
  • ▷3.1  Self-Image: How far can one go
    • 3.1.1  Factsheet
    • 3.1.2  Video
  • ▷3.2  Make the Set Design of Your Life
    • 3.2.1  Factsheet
    • 3.2.2  Introduction
    • 3.2.3  Start of the Process
    • 3.2.4  Creating Your Own Set Design on Stage
    • 3.2.5  Photos of the Students
    • 3.2.6  Make the Set Design of your Life
    • 3.2.7  A Tribute to Luis
    • 3.2.8  Luis' Presentation
    • 3.2.9  Teaching People at Danza Mobile
    • 3.2.10  Vision for the Future
    • 3.2.11  Bibliography
  • ▷3.3  The Sea is Inspiration
    • 3.3.1  Factsheet
    • 3.3.2  Video
• ▷4  Theoretical Work
  • ▷4.1  Drawing According to the Methods of Henri Matisse
    • 4.1.1  The Creation of a Sign Born Out of One Line
    • 4.1.2  Process Versus Result
    • 4.1.3  Interview
    • 4.1.4  Explanation of Terms
• 5  Future
• 6  Bibliography